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    <title>Gaia: Advocating Art - Inspiration - an.architecture + industrial design</title>
    <link>http://pods.gaia.com/art_advocacy/discussions/view/5287#5287</link>
    <description>Gaia: Advocating Art - Inspiration - an.architecture + industrial design</description>
    <pubDate>Fri, 21 Nov 2008 15:51:39 -0000</pubDate>
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      <title>an.architecture + industrial design</title>
      <link>http://pods.gaia.com/art_advocacy/discussions/view/5287#5287</link>
      <description>&lt;font size="3"&gt;&lt;span style="color: windowtext; font-family: &amp;#39;Arial Black&amp;#39;; letter-spacing: 9pt"&gt;an.architecture&lt;/span&gt;&lt;span style="color: windowtext"&gt;&lt;font face="Times New Roman"&gt; &lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;span style="font-size: 7.5pt; color: windowtext; font-family: Arial"&gt;AN.ARCHITECTURE is a term first coined by Gordon Matta-Clark during his entropic studies with Michael Heizer around New York City&amp;#39;s South Houston District of the 1970&amp;#39;s.&amp;nbsp; The term and its associated implications have recently been revived by Lebbeus Woods of the Research Institute for Experimental Architecture.&amp;nbsp; it&amp;#39;s gestalt centers upon the kinematic nature of space, a frozen moment in time; during which passionate chaos may be quantified even if not qualified&amp;nbsp; (further readings: Kurt Schwitters, Tadashi Kawamata, Arnold Schoenberg, etc.)&lt;/span&gt;&lt;span style="color: windowtext"&gt;&lt;/span&gt;&lt;font size="3"&gt;&lt;span style="color: windowtext; font-family: &amp;#39;Arial Black&amp;#39;; letter-spacing: 5.25pt"&gt;+ industrial design&lt;/span&gt;&lt;span style="color: windowtext"&gt;&lt;font face="Times New Roman"&gt; &lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;p&gt;&lt;span style="font-size: 7.5pt; font-family: Arial"&gt;INDUSTRIAL DESIGN was first advocated by Iakov Chernikhov of the Russian Constructivist movement in the 1920&amp;#39;s.&amp;nbsp; Over the years, such theorists as Heinrich Wolfflin, Le Corbusier, Martin Heidegger and Weslem Jones have been strong proponents to the assemblage nature of their composition.&amp;nbsp; it is through exacting study of formal relationships, that one may regain an intuition for empathic space and harmonious form.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.fhzal.com/theoros"&gt;http://www.fhzal.com/theoros&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</description>
      <pubDate>Mon, 03 Apr 2006 05:40:21 -0000</pubDate>
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